Maurizio de Giovanni books in order

They’ve made a fresh start at the Pizzofalcone precinct of Naples. They fired every member of the investigative branch after they were found guilty of corruption. Now, there’s a group of detectives, a new commissario, and a new superintendent. The new cops immediately find themselves investigating a high-profile murder that has the whole town on edge.

Heading the investigation is Inspector Lojacono, known as “the Chinaman,” a cop with a checkered past who is currently riding a reputation as a crack investigator after having captured a serial killer known as “The Crocodile.” Lojacono’s partner is Aragona, who wants to be known as “Serpico,” but the name doesn’t stick. 

Luigi Palma, a.k.a. “Gigi,” is the commissario, Francesco Romano, known as “Hulk,” is the slightly self-deluded lieutenant. Lojacono, Aragona, Palma, and Romano are joined by a cast of cops portrayed by bestselling author Maurizio de Giovanni with depth and intimate knowledge of the close-knit world of police investigators.

A kidnapped child and the burglary of a high-class apartment: Two crimes that seem to have no connection at all until Inspector Lojacono, known as “The Chinaman”, starts to investigate.

Darkness for the Bastards of Pizzofalcone is the second book in a series set in contemporary Naples that draws inspiration from Ed McBain’s 87th Precinct novels and features a large cast of complicated cops doing battle with ruthless criminals.

A heinous, double murder in a squalid apartment on the wrong side of town pits Inspector Lojacono, Di Nardo and the rest of the motley collection of cops known as the “bastards” of the Pizzofalcone precinct against their superiors, the press, and the local political hierarchy. Only by bringing the killer to justice can they save their reputations and the department.

De Giovanni is one of the most versatile, prolific, and successful Eurpean mystery in Europe. His award-winning and bestselling novels, all set in Naples, offer a brilliant vision of the criminal underworld and the lives of the cops in Europe's most fabled, atmospheric, dangerous, and lustful city.

A baby is left abandoned beside a dumpster. A young Ukranian maid fights the torrents of greed and frustration with the world around her. Small animals begin to disappear off the streets. The task of solving these mysteries is entrusted to a team of policemen in which few believe: the Bastards of Pizzofalcone. Complete with stirrings in the city’s criminal underbelly and a fight against a seemingly inhuman evil, this novel is sure to delight fans of de Giovanni’s previous works.

Sometimes it takes facing a formidable adversary to truly know one’s worth. The Bastards of Pizzofalcone may have found just that: when the brutal murder of a baker rattles the city, they are ready to investigate. There’s nothing they wouldn’t do to prove themselves to their community. But this time the police are divided: for the special anti-mob branch, the local mafia is doubtlessly responsible for the crime, but the Bastards are not so sure.

Commissario Ricciardi has visions. He sees the final seconds in the lives of victims of violent deaths. It is both a gift and a curse. It has helped him become one of the most successful homicide detectives on the Naples police front. But the horror of his visions has hollowed him out emotionally. He drinks too much and sleeps too little. Other than his loyal partner, Brigadier Maione, he has no friends.

Naples, March 1931: a bitter wind stalks the city streets, and murder lies at its chill heart. When the world's greatest tenor, Maestro Arnaldo Vezzi, is found brutally murdered in his dressing room at Naples' San Carlo Theatre, the enigmatic and aloof Commissario Ricciardi is called in to investigate.

Arrogant and bad-tempered, Vezzi was adored by millions and hated by hundreds, but with the livelihoods of everyone at the San Carlo opera at stake, who there would have committed such an act? Ricciardi is determined to find out.

Ricciardi has visions. He sees and hears the final seconds in the lives of victims of violent deaths. It is both a gift and a curse. It has helped him become one of the most acute and successful homicide detectives in the Naples police force. But all that horror and suffering has hollowed him out emotionally: He drinks and doesn't sleep. Other than his loyal partner, Brigadier Maione, he has no friends.

Naples,1931. In a working-class apartment in the Sanita neighborhood, an elderly woman by the name of Carmela Calise has been beaten to death. When Ricciardi and Maione arrive at the scene, they start asking the neighbors questions. No one wants to talk, but slowly a few interesting facts slip out. Carmela Calise was moonlighting as a fortune-teller and moneylender. 

In her decrepit apartment, she would receive clients - among them some of the city's rich and powerful - predicting their futures in such a way as to manipulate and deceive. If economic ruin lurked in their futures, Calise was happy to help - for a price, of course. She had many enemies: those indebted to her, manipulated by her lies, disappointed by her prophesies, or destroyed by her machinations. Murder suspects in this atmospheric thriller abound, and Commissario Ricciardi, one of the most original and intriguing investigators in contemporary crime fiction, will have his work cut out for him.

Commissario Ricciardi has visions. He sees and hears the final seconds in the lives of victims of violent deaths. It is both a gift and a curse. It has helped him become one of the most acute and successful homicide detectives in the Naples police force. But the horror and suffering he has seen has hollowed him out emotionally. He drinks too much and sleeps too little. His love life is a shamble. Other than his loyal partner, Brigadier Maione, he has no friends.

Naples, 1931. Together with Brigadier Maione, Ricciardi is investigating the death of the beautiful and mysterious Duchess of Camparino, whose connections to privileged Neapolitan social circles and the local fascist elite make the case a powder keg waiting to explode. As Benito Mussolini’s state visit to Naples looms and authorities frantically seek to clean up the city’s image, Ricciardi will stop at nothing to find the duchess’s killer.

Commissario Ricciardi has visions. He sees and hears the final moments in the lives of those who have suffered violent deaths. It may be a talent or it may be a curse, but it has helped him become one of the most successful homicide detectives in the Naples police force.

It’s a rainy autumn in 1930s Naples as its inhabitants celebrate the week of the dead. Ricciardi’s instincts tell him that the death of a street urchin is actually murder, but investigating the homicide is not going to be easy. The authorities want to avoid any sign that things are not as they ought to be in Naples, for they are preparing for the state visit of Benito Mussolini. 

Ricciardi will have to conduct his investigation hidden from the eyes of his superiors. What’s worse, his sixth sense is no help to him this time; the scene of the crime is silent, still, not a word or a sign, or even a scream from the dead. Has his unwelcome gift finally faded? Or is something more sinister at work?

As Naples prepares for its holiday celebrations, behind the facade of order and happiness imposed by the fascist regime, lurks terrible poverty and blinding desperation. 

In a luxurious apartment on the Mergellina beach the bodies of a fascist militia officer and his wife have been found. The woman has had her throat cut while the man has been stabbed over sixty times. Seemingly, the hands of two separate killers have been at work. 

A statuette of San Giuseppe, patron saint of workers, lies in pieces on the floor. At the scene of the crime, Ricciardi, who has the dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death, listens to the enigmatic last words of the couple. 

Accompanied by his faithful partner Brigadier Raffaele Maione, and once more troubled by two women who compete for his attentions, the Commissario will have to trace a wide and frenetic arc through the streets of Naples in order to uncover the truth.

It is one week before Easter, Naples, 1932. At the high-class brothel in the center of town known as Paradiso, Viper, the most famous prostitute of all, is found dead. Suffocated with a pillow. Her last client swears that when he left her she was alive and well. But when her next client arrived, he found her dead. Who killed her and why? Ricciardi has to untangle a complex knot of greed, frustration, jealousy, and rancor in order to solve the riddle of Viper’s death. As he does so, he will discover no end of conflicting emotions just beneath the surface of a city that lives on passion.

De Giovanni’s mysteries unfold with such sinuous ease that they seem to write themselves. They enchant, surprise; they hold readers enthralled. Commissario Ricciardi, whose dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death, is one of the most fascinating investigators to make his appearance in the world of international crime fiction in recent years. And in Viper, the lustful and boisterous city of Naples has never been more seductive.

In the middle of a summer heat wave, as Naples prepares for one of its most important holy days, a renowned surgeon falls to his death from the window of his office. For Commissario Ricciardi and Brigadier Maione it is the beginning of an investigation that will bring them into contact with the most torrid, conflicting, and enduring of human passions. In the world Ricciardi and Maione are about to enter, infidelity appears inextricable from the most joyful expressions of love, and, this interdependence sows doubt and uncertainty in both men, compromising their own attempts at love.

Ricciardi is one of the most intriguing and unique figures to appear in crime fiction in recent years. He possesses the dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death. This ability makes him an unusually effective investigator but plagues him and renders human relationships almost impossible. He is a classic noir hero and the cursed son of a city that, for all its Mediterranean splendor, is a perfect noir city.

In the abyss of a profound personal crisis, Commissario Ricciardi feels unable to open himself up to life. He has refused the love of both Enrica and Livia and the friendship of his partner, Maione. Contentment for Ricciardi proves as elusive as clues to the latest crime he has been asked to investigate.

The beautiful, haughty Bianca, countess of Roccaspina, pleads with Ricciardi to investigate a homicide that was officially closed months ago. In the tense, charged atmosphere of 1930s Italy, where Benito Mussolini and his fascist thugs monitor the police closely, an unauthorized investigation is grounds for immediate dismissal and possible criminal charges. But Ricciardi’s thirst for justice cannot be sated.

A tightly plotted historical noir novel, this eighth installment in the Commissario Ricciardi series is a gripping meditation on revenge and justice in which each character’s soul reveals itself to be made of glass.

Years ago, Vinnie Sannino left Naples on a ship bound for America, where he found fame and fortune as a boxer. But his gilded life in the new world came to an abrupt end when, during a fight, with a heavy punch to the head of his opponent, Vinnie killed a man in the ring.

Now, Vinnie’s back in Italy, pining for the woman he left behind. Cettina, however, is now a married woman. She was, at least, until her husband was recently found dead, killed by a single blow to the head. For Commissario Ricciardi, one of the most faceted cops in fiction, and his partner Maione, it is a going to be a long, rainy, week in Naples.

Christmas has just passed and the city is preparing to celebrate New Year when, on the stage of a variety show, famous actor Michelangelo Gelmi fires a gun at his wife, Fedora Marra.

The shooting itself would be nothing strange: it is repeated every evening as part of their performance. But this time, someone replaced one of the blanks with a real bullet. Gelmi swears his innocence, but few believe him.

Approaching old age and with a career in decline, the actor has become increasingly dependent on his wife, much younger than him and at the height of her fame. However, rumor has it that she had fallen in love with another man and was preparing to leave Gelmi. A straightforward case of infidelity and marital jealousy? Commissario Ricciardi has more than one doubt.

Transferred to Naples after a tangle with the Sicilian Mafia, Detective Inspector Giuseppe Lojacono feels that he's marking time, waiting out an awkward scandal.

But when the bloodied bodies of teenagers start appearing around the city, victims of a strange and sinister killer whom police and locals take to calling The Crocodile, it soon becomes clear to Lojacono that the killings are more than simple Mafia hits, and that the labyrinthine streets of Naples are more deadly than he'd dared imagine.

Can he catch the assassin in time to save the city's innocents?