Susan Isaacs books in order

Marcia Green is a sophisticated, witty, successful New Yorker, a whiz of a political speech writer, a woman who finds a smoke-filled room more intoxicating than a magnum of champagne. Her private life is a little less bubbly. She has a passionate but not very promising live-in relationship with her boss’s dashing chief of staff, Jerry Morrissey. He offers her only a good time―but what a time!

Can Marcia resist when a new man arrives on the scene, a man who is exactly the sort her family wants her to marry―bright, kind, attractive, wealthy, and charming―in short, too good to be real? Marcia is determined to find the right kind of man, as well as the right kind of life.

Nick is stunningly handsome, the blue-eyed scion of a blue-blood New York family. Rich, talented, confident he will become the world's most famous movie star. Jane is delightfully funny, a dark-skinned, dark-haired, half-Jewish, half-German daughter of the Midwest. Smart, gifted, loving, she will become famous in her own right as well.

From the time they first meet in their Social and Intellectual History of the U.S. course at Brown University, it's love at first sight. Coming together from two very different worlds, they will cast off adversity and disapproval to forge a life filled with work, love, and children.

But fame and success come at a high price―their marriage. Just when it seems the promise of their love might be renewed, an accident leaves Jane hovering between life and death. Now, it's not only their union that might not survive, but Jane, too...

It's 1940 and Linda Voss, legal secretary extraordinaire, has a secret. She's head over heels in love with her boss, John Berringer, the pride of the Ivy League. 

Not that she even has a chance―he'd never take a second look at a German-Jewish girl from Queens who spends her time taking care of her faded beauty of a mother and following bulletins on the war in Europe. 

For Linda, though, the war will soon become all too real. Engulfing her nation and her life, it will offer opportunities she's never dreamed of. A chance to win the man she wants...a chance to find the love she deserves.

Magic hour. That perfect time, that fleeting hour of enchanted light near dusk and dawn that is perfect for moviemaking, perfect for making love. Perfect for murder.

And into the magic hour steps Stephen Brady, wise guy, tough guy, local farm boy turned homicide cop, and a good man with a very bad life. But just as his luck is about to change, the rich, gifted, and urbane filmmaker Sy Spencer is murdered, and Brady discovers that his prime suspect is a woman he and the victim shared.

The day after her lavish wedding anniversary bash, Rosie Meyers gets a big surprise: Her nouveau riche husband, Richie, is leaving her for a sultry, sophisticated, size-six MBA. So, when he's found murdered in their exquisitely appointed kitchen, no one is surprised to find Rosie's prints all over the weapon.

The suburban English teacher is the prime suspect―the police's only suspect. And she knows she'll spend the rest of her life in the prison library unless she can unmask the real killer. Going into Manhattan on the lam, Rosie learns more about Richie than she ever wanted to know. And more about herself than she ever dreamed possible.

Meet Lily White, Long Island criminal defense lawyer. Smart, savvy, and down-to-earth, Lee can spot a phony the way her haughty mother can spot an Armani. Enter handsome career con-man Norman Torkelson, charged with strangling his latest mark after bilking her out of her life’s savings. As the astounding twists and reverses of the Torkelson case are revealed, so too is the riveting story behind Lee’s life.

Lily White is a brilliantly crafted story of con artists and true lovers, of treachery and devotion―and of one brave lawyer’s triumphant fight for justice.

A straight shooter in every sense, FBI agent Charlie Blair has the numbing job of a bureaucrat and the soul of a cowboy. Dying a slow death from lack of purpose, he jumps at the chance to leave behind Dairy Queen vanilla cones and the History Channel to infiltrate a paramilitary group in Wyoming. Charlie's not the only one hot on the trail, however. Lauren Miller, a bright, ambitious New York journalist, has arrived in Jackson Hole and is bent on finding these extremists for a career-making scoop. 

On the surface, this whiter than whitebread mountain man and the independent, urbane East-coast writer seem worlds apart. But they share more than they can ever imagine--including a great-great-grandmother and a mutual desire for justice that will spark not only a powerful passion for the truth...but an irresistible passion for each other too.

No matter which side of the nature/nurture debate you're on, Amy Lincoln's prospects do not look good.

Her mother abandoned her when she was ten months old (just a couple of months after Amy's father went off to serve his first prison term), leaving her in the care of Grandma Lil, who shoplifts dinner on the way home from her job as a leg waxer to the rich and refined.

When Amy is fourteen, she gets a scholarship to a New England boarding school -- her exposure to the moneyed class. After Harvard and the Columbia School of Journalism, Amy becomes a political reporter for the prestigious weekly In Depth. While covering a political fund-raiser, Amy meets a college student who claims to be the son of one of the presidential candidates. It's precisely the sort of story that In Depth wouldn't deign to cover, but the idea of tracking down a lost parent and demanding recognition intrigues Amy. 

As she begins a search of her own past as well as the candidate's, she discovers a new and unimpeachable grandmother and a mother who is much more than she bargained for. Most important, she finally comes to understand the stuff she's made of and finds the perfect place to hang her hat in the world.

Katie seems to have the perfect life—a great husband, a precocious and winning ten-year-old son; and a glamorous job as writer for the long-running TV series, Spy Guys, based on her own surprisingly successful novel. But for Katie, writing about the spy business isn’t as satisfying as working in it. 

Fifteen years ago, she was working at CIA headquarters. She loved her job, and especially her boss. Then, suddenly, for no apparent reason, she was fired. Katie comes from a family of Manhattan achievers, so it’s been tough to accept such humiliation. She’d give almost anything to know what falsehoods lay in her personnel file. A surprise call from former colleague Lisa gives Katie hope. Lisa says she urgently needs Katie’s help on a matter of national importance and promises to reveal all if Katie will work with her. Then Lisa disappears. One person is dead, then another. Who will be next? 

With some help from a couple of colorful ex-spies, Katie embarks on a scary mission, leading her back to the extraordinary and eerie days as the Berlin Wall was about to crumble.

Call her superficial, but Susie B Anthony Rabinowitz Gersten assumed her marriage was great—and why not? Jonah Gersten, MD, a Park Avenue plastic surgeon, clearly adored her. He was handsome, successful, and a doting dad to their four-year-old triplets. But when Jonah is found dead in the Upper East Side apartment of second-rate “escort” Dorinda Dillon, Susie is overwhelmed with questions left unanswered. It’s bad enough to know your husband’s been murdered, but even worse when you’re universally pitied (and quietly mocked) because of the sleaze factor. 

None of it makes sense to Susie—not a sexual liaison with someone like Dorinda, not the “better not to discuss it” response from Jonah’s partners. With help from her tough-talking, high-style grandma Ethel, who flies in from Miami, she takes on her snooty in-laws, her husband’s partners, the NYPD, and the DA as she tries to prove that her wonderful life with Jonah was no lie.

Imagine King Lear as a comedy…

At seventy-nine, Gloria Garrison must plan for the future of Glory, Inc., the beauty-makeover business that she has grown from zilch into an eleven-million-dollar-per-year bonanza. Gloria’s never been big on family, but she’s forced to contemplate her three grandkids as objects of her largesse.

There’s Daisy, a story editor for a movie studio; her brother, Matt, who does PR for a New York baseball team; and cousin Raquel, laboring away as a Legal Aid lawyer.

When Gloria sends plane tickets and a weekend invitation to Santa Fe, the cousins couldn’t be more surprised. But the visit holds an unexpected twist for Gloria, too. Always sassy, smart, and wickedly witty, Susan Isaacs is at her formidable best in a novel that is both hilariously funny and a deeply moving tale of family, faith, and discovery.

Just a few years ago, Corie Geller was busting s as an agent for the FBI. But at thirty-five, she traded in her badge for the stability of marriage and motherhood. Between cooking meals and playing chauffeur, Corie scouts Arabic fiction for a few literary agencies and, on Wednesdays, has lunch with her fellow Shorehaven freelancers at a so-so French restaurant. Life is, as they say, fine.

But at her weekly lunches, Corie senses that something's off. Pete Delaney, a seemingly bland package designer, always shows up early, sits in the same spot (often with a different phone in hand) and keeps one eye glued to his car. 

Corie intuitively feels that Pete is hiding something - and as someone who is accustomed to keeping her FBI past from her new neighbors, she should know. But does Pete really have a shady alternate life, or is Corie just desperate to add some spark to her humdrum suburban existence? She decides that the only way to find out is to dust off her FBI toolkit and take a deep dive into Pete Delaney's affairs.

When Corie Geller asked her parents to move from their apartment into the suburban McMansion she shares with her husband and teenage daughter, she assumed they'd fit right in with the placid life she’d opted for when she left the Joint Anti-terrorism Task Force of the FBI.

But then her retired NYPD detective father gets a call from good-natured and slightly nerdy film professor April Brown—one of the victims of a case he was never able to solve.

When April was a five-year-old, she’d emerged unscathed from the arson that killed her parents. Now, two decades later, April is asking for help. Someone has made an attempt on her life. It takes only a nanosecond for Corie and her dad to say yes, and they jump into a full-fledged investigation.

If they don’t move fast, whoever attacked the April is sure to strike again. But while her late father, Seymour Brown, was the go-to money launderer for the Russian mob – a mercurial and violent man with a penchant for Swiss watches and cheating on his wife – April Brown has no enemies. Well-liked by her students, admired by her colleagues, her only connection to crime is her passion for the noir movies of Hollywood’s golden age. Who would want her dead now? And who set that horrific fire, all those years ago?

The stakes have never been higher. Yet as Corie and her dad are realizing, they still live for the chase.

Though she can’t admit it to herself, Judith Singer is bored. Each morning she kisses her husband on his way to work, and each evening she fixes him dinner. Three nights a week, they make tepid love. Life in their Long Island split-level is a ho-hum affair, but when a local dentist is murdered in his office, Judith’s curiosity gets the better of her. 

 Judith soon learns that Dr. Fleckstein’s private life wasn’t as immaculate as his smile, and anyone in town might be the murderer. And when her neighbor becomes the chief suspect, Judith must find the real killer or risk losing her only friend in all of suburbia.

Some twenty years after Compromising Positions, Judith Singer again gets involved in murder and mayhem. But her life has changed. She now has her doctorate in history. Her workaday hours are spent at St. Elizabeth’s College, mostly squandered in history department shriek-fests. She is also a widow. Her husband Bob died one half-day after triumphantly finishing the New York City Marathon in four hours and twelve minutes. And although twenty years have passed without seeing him, she still cannot get her former lover, Nelson Sharpe of the Nassau County Police Department, out of her system.

With Courtney Logan’s dramatic disappearance, all eyes turn instantly toward her husband, Greg Logan, son of Long Island mobster Philip “Fancy Phil” Lowenstein. But since there is no body, there is no arrest. 

Then, in the less-than-merry month of May, Judith comes home from work, turns on the radio, and hears the Logans’ pool man telling a reporter that he opened the pool and found . . . a raccoon? Not quite. The woman in the pool turns out to be Courtney, and now it’s officially homicide. And Judith comes alive! She offers her services to the police’s chief suspect, Greg Logan, but he shows her the door, thinking her just another neighborhood nut. But his father isn’t so sure: Fancy Phil may have other plans for her.

Chic Vanessa Giddings, founder and CEO of Panache, the largest employment agency on Long Island, falls into a coma in the designer shoe department of Bloomingdale’s . . . and dies. 

It’s not long before Judith Singer, former housewife, current widow, and local history professor, decides to investigate. She cannot believe the official ruling: that her wildly successful, confident, and iron-willed neighbor committed suicide with a drug overdose. Vanessa was buying shoes, and Judith knows accessorizing is a life-affirming act. So was it foul play?

Tracking the gossip about the late Vanessa and trusting her own acute instincts about human nature, Judith encounters more than a few surprises (including a big romantic one) as she investigates the death—and the life—of the misjudged mogul who turned out to have been more vulnerable than anyone guessed.

Why are Jane Eyre, Marge Simpson, and Buffy the Vampire Slayer "brave dames"? What makes Ally McBeal, Madame Bovary, and the good wife Beth from Fatal Attraction "wimpettes"?

In this thoroughly witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls the articles of wimpette philosophy. (Article Eight: A wimpette looks to a man to give her an identity.) 

Although female roles today include lawyers like Ally McBeal and CEOs like Ronnie of Veronica's Closet, they are wimpettes nonetheless. A brave dame, on the other hand, is a dignified, three-dimensional hero who may care about men, home, and hearth, but also cares--and acts--passionately about something in the world beyond. 

Brave dames' stories range from mundane (Mary Richards in The Mary Tyler Moore Show) to romantic (Francesca in The Horse Whisperer) to fantastic (Xena: Warrior Princess), but whatever they do, they care about justice and carry themselves with self-respect and decency. For a Really Brave Dame, think Frances McDormand as the tenacious, pregnant police chief in Fargo.

Isaacs's unmistakable love of fiction and film shines through even her most scathing wimpette assessments. In the end, she urges us to become "more thoughtful critics." The artist, she says, has the right to create whatever he or she pleases--and we have the right "to applaud or to yell, 'Hey, this stinks!' " If we do so, not only will fiction be improved, but so too might real life.

Marianne Kent's life may not seem thrilling – living with her widowed mother, majoring in economics, working in an elegant dress store after classes to put away money for graduate school – but she’s determined to make a better life for herself and her mom. 

One night, she comes home to see the light is out again over the door. That old fuse box? Again? Except when Marianne gets inside, she stumbles over something, and it’s immediately clear what has happened: her mother has been murdered. The NYPD is stumped. 

Marianne’s father, an army captain, was killed in battle when she was a year old, and whatever other family she has are so distant she’s never met them. Whom can she turn to? Marianne does what strong women always do: She turns to herself. With help from her Laurie Fishbein, her BFF since second grade, she becomes her own private detective to solve the case of her lifetime.