Brad Parks books in order

Judge Scott Sampson doesn’t brag about having a perfect life, but the evidence is clear: A prestigious job. A loving marriage. A pair of healthy children. Then a phone call begins every parent’s most chilling nightmare. Scott’s six-year-old twins, Sam and Emma, have been taken. The judge must rule exactly as instructed in a drug case he is about to hear. If he refuses, the consequences for the children will be dire.

For Scott and his wife, Alison, the kidnapper’s call is only the beginning of a twisting, gut-churning ordeal of blackmail, deceit, and terror. Through it all, they will stop at nothing to get their children back, no matter the cost to themselves...or to each other.

Disaster, Melanie Barrick was once told, is always closer than you know.

It was a lesson she learned the hard way growing up in the constant upheaval of foster care. But now that she's survived into adulthood--with a loving husband, a steady job, and a beautiful baby boy named Alex--she thought that turmoil was behind her.

Until one Tuesday evening when she goes to pick up Alex from childcare only to discover he's been removed by Social Services. And no one will say why. It's a terrifying scenario for any parent, but doubly so for Melanie, who knows the unintended horrors of what everyone coldly calls "the system."

Her nightmare mushrooms when she arrives home to learn her house has been raided by sheriff's deputies, who have found enough cocaine to send Melanie to prison for years. The evidence against her is overwhelming, and if Melanie can't prove her innocence, she'll lose Alex forever.

Meanwhile, assistant commonwealth's attorney Amy Kaye--who has been assigned Melanie's case--has her own troubles. She's been dogged by a cold case no one wants her to pursue: a serial rapist who has avoided detection by wearing a mask and whispering his commands. Over the years, he has victimized dozens of women.

Including Melanie. Yet now her attacker might be the key to her salvation . . . or her undoing.

Quantum physicist Matt Bronik is suffering from strange, violent seizures that medical science seems powerless to explain―much to the consternation of his wife, Brigid.

Matt doesn’t think these fits could be related to his research, which he has always described as benign and esoteric. That, it turns out, is not quite true: Matt has been prodding the mysteries of the quantum universe, with terrible repercussions for his health. And perhaps even for humanity as a whole.

Then, in the midst of another seizure, Matt disappears. When foul play is feared, there is no shortage of suspects. Matt’s research had gained the attention of Chinese competitors, an unscrupulous billionaire, and the Department of Defense, among others.

With Matt’s life in clear danger, Brigid sets out to find him. Will Matt be killed before she reaches him, or could the physics that endangered him actually be used to save his life?

Nate Lovejoy is a self-proclaimed nobody, a stay-at-home dad who doesn’t believe he’s important to anyone but his wife and their two daughters. So it’s a shock when members of a powerful secret society kidnap and spirit Nate away to a mansion at the behest of their leader, Vanslow DeGange, who claims to know the future. He’s foreseen that a billion people could die―unless Nate acts.

It seems improbable, especially given what DeGange says will set this mass casualty incident in motion: a lawsuit against the biggest power company in Virginia, being brought by Nate’s wife, Jenny.

Nate quickly smells a scam being perpetrated by the power company. But at every turn, it becomes apparent there’s more to DeGange’s gift than Nate wants to acknowledge. A billion people really could die, and Nate might be the only one who can save them.

All he has to do is the unthinkable.

Only 24 years old and still a wide-eyed reporter for a tiny backwater newspaper, Ross is getting his crack at the big leagues with an interview at New Jersey's largest paper, The Eagle-Examiner. If—that is—he nails the interview and the on-the-spot writing test. Ross has never had a problem spinning a story, but provided with notes he didn't take and quotes he didn't hear it feels flat, and he's not so sure about his chances.

So when a car crashes into a building in a nearby town and Carter overhears the assignments editor complaining that there's no one left in the building whom she can send out to cover the story, Carter jumps at the chance and quickly finds himself dangerously close to being in over his head in "The Nightgown," another stellar addition to Brad Parks's acclaimed mystery series.

Four bodies, each with a single bullet wound in the back of the head, stacked like cordwood in a weed-choked vacant lot: That's the front-page news facing Carter Ross, investigative reporter with the Newark Eagle-Examiner. Immediately dispatched to the scene, Carter learns that the four victims—an exotic dancer, a drug dealer, a hustler, and a mama's boy—came from different parts of the city and didn't seem to know one another.

The police, eager to calm jittery residents, leak a theory that the murders are revenge for a bar stickup, and Carter's paper, hungry for a scoop, hastily prints it. Carter doesn't come from the streets, but he understands a thing or two about Newark's neighborhoods. And he knows there are no quick answers when dealing with a crime like this.

Determined to uncover the true story, he enlists the aide of Tina Thompson, the paper's smoking-hot city editor, to run interference at the office; Tommy Hernandez, the paper's gay Cuban intern, to help him with legwork on the streets; and Tynesha Dales, a local stripper, to take him to Newark's underside. It turns out that the four victims have one connection after all, and this knowledge will put Carter on the path of one very ambitious killer.

Carter Ross, the sometimes-dashing investigative reporter for the Newark Eagle-Examiner, is back, and reporting on the latest tragedy to befall Newark, New Jersey, a fast-moving house fire that kills two boys.

With the help of the paper's newest intern, a bubbly blonde known as "Sweet Thang," Carter finds the victims' mother, Akilah Harris, who spins a tale of woe about a mortgage rate reset that forced her to work two jobs and leave her young boys without child care. Carter turns in a front-page feature, but soon discovers Akilah isn't what she seems. And neither is the fire.

When Newark councilman Windy Byers is reported missing, it launches Carter into the sordid world of urban house-flipping and Jersey-style political corruption. With his usual mix of humor, compassion, and street smarts, Carter is soon calling on some of his friends—gay Cuban sidekick Tommy Hernandez, T-shirt-selling buddy Tee Jamison, and on-and-off girlfriend Tina Thompson—for help in tracking down the shadowy figure behind it all.

Reading his own newspaper's obituaries, veteran reporter Carter Ross comes across that of a woman named Nancy Marino, who was the victim of a hit-and-run while she was on the job delivering copies of that very paper, the Eagle-Examiner. Struck by the opportunity to write a heroic piece about an everyday woman killed too young, he heads to her wake to gather tributes and anecdotes. It's the last place Ross expects to find controversy—which is exactly what happens when one of Nancy's sisters convinces him that the accident might not have been accidental at all.

It turns out that the kind and generous Nancy may have made a few enemies, starting with her boss at the diner where she was a part-time waitress, and even including the publisher of the Eagle-Examiner. Carter's investigation of this seemingly simple story soon has him in big trouble with his full-time editor and sometime girlfriend, Tina Thompson, not to mention the rest of his bosses at the paper, but he can't let it go—the story is just too good, and it keeps getting better. But will his nose for trouble finally take him too far?

As long as Newark Eagle-Examiner reporter Carter Ross turns in his stories on deadline, no one bats an eye if he doesn't wander into the newsroom until 10 or 11 in the morning. So it's an unpleasant surprise when he's awakened at 8:38 a.m. by a phone call from his boss, telling him a local policeman was killed and to get the story. Shaking himself awake, Carter heads off to interview the cop's widow. And then he gets another call: the story's off, the cop committed suicide.

But Carter can't understand why a man with a job he loved, a beautiful wife, and plans to take his adorable children to Disney World would suddenly kill himself. And when Carter's attempts to learn more are repeatedly blocked, it's clear someone knows more than he's saying about the cop's death. The question is, who? And what does he have to hide? Carter, with his usual single-minded devotion to a good story—and to the memory of a Newark policeman—will do whatever it takes to uncover the truth.

When he hears residents of a Newark neighborhood are getting sick—and even dying—from a strange disease, investigative reporter Carter Ross dives into the story—so deep he comes down with the illness himself. 

With even more motivation to track down the source of the disease, Carter soon hits upon a nearby construction site. But when the project's developer is found dead, and his mob ties surface, Carter knows he's looking at a story much bigger—and with even more dangerous consequences—than an environmental hazard.

Back in the newsroom, Carter has his hands full with his current girlfriend and with the paper's newest eager intern, not to mention his boss and former girlfriend Tina Thompson, who has some news for Carter that's about to make tangling with the mob seem simple by comparison.

A rash of carjackings terrorizing Newark become newsworthy when one such theft ends in the murder of a wealthy banking executive. The affable, wisecracking Ross is assigned the story, but he's weary of only writing about victims of crime who happen to be rich and white. To balance his reporting, he finds a Nigerian immigrant of more modest means who was also killed during a recent carjacking.

When it turns out the two victims knew each other, sharing an unexplained round of golf at a tony country club shortly before their deaths, Carter is plunged onto the trail of a deadly band of car thieves that includes a sociopathic ex-convict. When his unborn child is put in harm's way, it becomes more than just a story for Carter. And he'll stop at nothing to rescue the baby-even if it costs him his own life.

Parks, a rising star on the crime fiction scene known for his mix of wit and grit, delivers his most emotionally resonant book yet.

After a career rising through the ranks, Mitchell Dupree has finally landed his dream job: compliance director for the Latin American division at Union South Bank. It's a comfortable place to work, with a family-like atmosphere.

Except this family has secrets. Mitch quickly notices a string of suspicious transactions that he worries may be coming from a notorious Mexican drug cartel, the brutal and fast-growing New Colima syndicate. As he probes deeper into the bank's dealings, Mitch must play a dangerous and complicated game, figuring out who to trust . . . and how safe his job--and his life--really are.

Tommy Jump is an out-of-work stage actor approached by the FBI with the role of a lifetime: Go undercover at a federal prison, impersonate a convicted felon, and befriend a fellow inmate, a disgraced banker named Mitchell Dupree, who knows the location of documents that can be used to bring down a ruthless drug cartel . . . if only he’d tell the FBI where they are.

The women in Tommy’s life, his fiancée and mother, tell him he’s crazy to even consider taking the part. The cartel has quickly risen to become the largest supplier of crystal meth in America. And it hasn’t done it by playing nice. Still, Tommy’s acting career has stalled, and the FBI is offering a minimum of $150,000 for a six-month gig—whether he gets the documents or not.

Using a false name and backstory, Tommy enters the low-security prison and begins the process of befriending Dupree. But Tommy soon realizes he’s underestimated the enormity of his task and the terrifying reach of the cartel. The FBI aren't the only ones looking for the documents, and if Tommy doesn’t play his role to perfection, it just may be his last act.